Framing Suggestions

The best rule of thumb for matting and framing artwork is to always use colors that are not as strong as those in the piece to be framed. In other words, don't use colors that are as dark or darker than the darkest colors in the piece, and don't use colors that are as light or lighter than the lightest colors in the piece.The reason for this is simple: you want the strongest colors to "pop" out of the artwork, not the frame and mat.

Remember: you're trying to show off the artwork, not the framing, and if you keep the framing colors more in the neutral spectrum it will compliment and support the artwork rather than overpower it.

People often choose mat and frame colors that compliment their walls rather than the artwork, and the results are often abrasive to the eye. It can be an interesting challenge, but again, the secret to success is choosing subtle, less intrusive mat colors so that the artwork is the focus of attention rather than what surrounds it. In almost every case, sticking with more neutral colors results in a more pleasing presentation.

In the case of The Megalite Project print, I have found that a pale blue-gray color mat with a frame that is a darker hue of the same color work well, and even look good on most wall colors. A medium gray metallic frame also works well and appropriately compliments the subject matter in the piece.

LAMINATING:

This is a terrific and inexpensive alternative to conventional framing that has proven highly effective. It is a process whereby the print is dry-mounted to a sheet of special high density particle board that has a 1" deep frame incorporated around the back of each side.

You can usually choose between many different colors, and often there are even multi-colored/multi-textural finishes available. The edges, in most cases, have a 45 degree, 1/4" wide bevel. Then a separate U.V. inhibiting protective coating is applied over the face. You can specify whether or not you wish to include the white border, or crop it down to just the image area.

The final result is a deep, three-dimensional looking piece that stands out from the wall, with a smooth, flush face and a surface that almost appears to have non-glare glass on it. The surface is also tough, durable, and washable. This method suits the subject matter of The Megalite Project because it is so linear.

The biggest advantage of this method is cost. A conventional mat & frame for a piece this size could cost anywhere from $130 to $250 depending on the quality of the chosen materials, and the number of mats used, etc., whereas laminating usually costs no more than $100 tops. There is also no glass to break, and the piece is lighter and easier to transport. A note of caution, however: If the laminated print somehow becomes damaged, there is little recourse because the print cannot be re-laminated.

Ask your local frame shop for a price comparison between the two techniques. Most frame shops have connections to, or can recommend an art laminating service in your area. Often they can handle it themselves in-store, or by farming it out to a dedicated art laminator.